Friday, April 30, 2010

IMAGES


IMAGES

Figure 1. Annibale Carracci, The Holy Family, oil on canvas, c. 1589, Melbourne: National Gallery of Victoria.

Figure 2. Annibale Carracci, Head of an Old Man, Oil on paper, N.D, New York, Ganz Collection.


Figure 3. Annibale Carracci, Mystic Marriage of St Catherine, oil on canvas, c. 1586-87, Naples, Museo Nazionale di Capodimonte.




Figure 4. Correggio, Mystic Marriage of St Catherine, c. 1526-27. Paris, Musee du Louvre




Figure 5. Annibale Carracci, Madonna di San Ludovico, oil on canvas, c. 1587-88. Bologna, Pinacoteca Nazionale.




Figure 6. Annibale Carracci, Montalto Madonna, oil on copper, c. 1597-98. London, National Gallery.



Figure 7. Correggio, Holy Family with St John the Baptist, oil on wood, c. 1518. Paris, Louvre.


Figure 8. Correggio, Madonna of the Basket, oil on canvas, c. 1524. London: The National Gallery.


Figure 9. Annibale Carracci, The Assumption of the Virgin, oil on panel, c. 1600. Rome, Santa Maria del Popolo.


Figure 10. Paolo Veronese, Christ and the Woman of Samaria, oil on canvas, 1580-82, Vienna, Art History Museum.




Figure 11. Agostino Carracci, Study for Hands, N.D. London, Courtauld Gallery.




Figure 12. Correggio, Madonna and Child in Glory with Angels, oil on wood. Florence, Galleria degli Uffizi.


Figure 13. Annibale Carracci, Holy Family with St John the Baptist, Etching and Engraving, c. 1590.



Figure 14: Bonifacio Veronese, Virgin and Child with Saints Catherine, Peter, John the Baptist and Jerome, oil on panel, 1525-1530. Ca' Rezzonico, Collezione Mestrovich.


Figure 15. Annibale Carracci, Holy Family with St John the Baptist. Etching and Engraving, c. 1590 (detail).

Figure 16: Bonifacio Veronese, Virgin and Child with Saints Catherine, Peter, John the Baptist and Jerome, oil on panel, 1525-1530. Ca' Rezzonico, Collezione Mestrovich (detail)



Figure 17. Annibale Carracci. Holy Family (also ‘Madonna of the Cherries’), oil on canvas, c. 1593. Paris, Louvre,



Figure 18. Annibale Carracci, Sketch for Madonna and Child above Bologna, pen and black ink on paper, c. 1592-93. Chatsworth, Devonshire Collection.



Figure 19. Annibale Carracci, Sketch for Madonna and Child above Bologna, pen and black ink on paper, c. 1592-93. Chatsworth, Devonshire Collection.



Figure 20.Annibale Carracci, Sketch for Madonna and Child above Bologna, pen and black ink on paper, c. 1592-93. Chatsworth, Devonshire Collection.



Figure 21. Annibale Carracci, Sketch for Madonna and Child above Bologna, pen and black ink on paper, c. 1592-93. Vienna, Graphische Sammlung Albertina.



Figure 22. Ferrante Rosati, Virgin and Child with an Apple, etching, N.D. [Source: The Illustrated Bartsch, Volume 30)



Figure 23. Ferrante Rosati, David (After Giovanni Domenico Cerrini), etching, c. 1649.


Figure 24. Giovanni Domenico Cerrini, David, oil on canvas, c. 1649. Rome: Galleria Spada



Figure 25. Ferrante Rosati, Madonna and Child in Glory (After Simone Cantarini), N.D.


Figure 26. Simone Cantarini, Madonna and Child in Glory, etching, N.D.


Figure 27. Ferrante Rosati, Nativity (After Agostino Carraci), etching, N.D.



Figure 28. Agostino Carracci, Adoration of the Shepherds, oil on panel, N.D. Bologna, Santa Maria della Pioggia.


Figure 29. Ferrante Rosati, Holy Family, etching, N.D.


Figure 30. Simone Cantarini, Rest on the Flight into Egypt, oil on canvas, c. 1640. Milan, Pinacoteca di Brera



Figure 31. Simone Cantarini, Holy Family, etching, N.D.


Figure 32. Ferrante Rosati, St Anthony of Padua, etching, N.D.


Figure 33. Joshua Reynolds, List of Pictures, sketch from sketchbook (folio 1) Cambridge, Harvard Art Gallery.



Figure 34. Joshua Reynolds, Holy Family (after Annibale Carracci), sketch from sketchbook (folio 23v.) Cambridge, Harvard Art Gallery.



Figure 35. Joshua Reynolds, Time Clipping Cupid’s Wings (after Annibale Carracci), sketch from sketchbook (folio 30v.) Cambridge, Harvard Art Gallery.


Figure 36. Anthony Van Dyck, Time Clipping Cupid’s Wings, oil on canvas. Paris, Musée Jacquemart-Andre.


Figure 37. Joshua Reynolds, Sketch of a Child (after Anthony Van Dyck), sketch from sketchbook (folio 29v.)



Figure 38. Van Dyck, Christ Blessing the Children, oil on canvas, c. 1618. Ottawa, Art Gallery of Canada.



Figure 39. Joshua Reynolds, An Officer of Marlborough (After Philippe de Hondt), sketch from sketchbook (folio 25v.). Cambridge, Harvard Art Gallery.


Figure 40. Philippe de Hondt, Battle of Malplaquet, tapestry, c. 1712. Oxford, Blenheim Palace.



Figure 41. Annibale Carracci, Pan, oil on canvas, c. 1592, Melbourne, National Gallery of Victoria.


Figure 42. Annibale Carracci, Study for Ignudo, black chalk on paper. Melbourne, National Gallery of Victoria. TO SCAN.



Figure 43. Annibale Carracci, The Holy Family, oil on canvas, c. 1589, Melbourne: National Gallery of Victoria (photograph taken pre-restoration, c. 1970).


Figure 44. Annibale Carracci, The Holy Family, oil on canvas, c. 1589, Melbourne: National Gallery of Victoria (photograph taken during restoration with paint stripped).